You are in the archive Go to the current program
festival overture
Sunday, September 3, 2017, 4.30 pm
On the Trail of Dvořák
The concert can also be bought in the package with the second musical stop in&nbsp;<span style="font-family: Calibri, sans-serif; font-size: 11pt; ">Archbishop’s Palace&nbsp;</span>Kroměříž for a special price 490 CZK. You will see a discounted price after inserting both concerts into your cart.


Antonín Dvořák: Stabat Mater, in the original version with piano

This year’s ‘festival overture’ will take us to Kroměříž, another of the places closely connected with Dvořák’s life. A concert featuring a choral ensemble the composer himself conducted repeatedly in performances of his large works for chorus and orchestra will certainly by a splendid appetizer before the opening of the festival feast proper.

The concert is part of a comprehensive program:

11.30–12.30 Concert, Balcony Hall, Archbishop’s Chateau in Kroměříž

12.45–13.45 Spiritual stopping a small organ concert, Church of St. Morice (free entrance)

16.30–18.00 Concert, Nadsklepí, Kroměříž

7.00–19.30 Opportunity to visit the Chateau Gardens, Kroměříž (free entrance)

9.00–15.30 Possibility of tour of the Archbishop Chateau Kroměříž (tickets in the Chateau box office, more information about the tours and prices at

  • Dress code: casual


Tomáš Netopil

Tomáš Netopil is one of the most internationally successful Czech conductors. He studied violin at the P. J. Vejvanovský Conservatoire in Kroměříž and orchestral and choral conducting at the Academy of Performing Arts in Prague, then he furthered his studies at the Royal Academy in Stockholm. His victory at the Georg Solti International Conducting Competition in Frankfurt am Main in 2002 put his artistic career on a sharply rising trajectory. From 2009 to 2012 he was the chief conductor of the Opera of the National Theatre, and since 2013 he has held the post of music director of the Essen Philharmonic Orchestra and Opera in Germany. He collaborates with many renowned orchestras, including the Staatskapelle Dresden and the London Philharmonic Orchestra, and he has made guest appearances at the famed Semperoper in Dresden and repeatedly at the Salzburg Festival. During the past three seasons, he has successfully introduced himself at the Vienna State Opera with Janáček’s Cunning Little Vixen, Dvořák’s Rusalka, and Mozart’s Così fan tutte. During the 2019/20 concert season, he will be guest conducting in Paris at the invitation of the Orchestre National de France.

Tomáš Netopil - conductor

Alžběta Poláčková

Renowned soprano Alžběta Poláčková graduated in voice from Prague’s Academy of Performing Arts. She has won many honours in prestigious singing competitions including First Prize and the Ema Destinnová Prize in London’s Anglo-Czechoslovak Trust Competition and the National Theatre Prize in the Antonín Dvořák Competition in Karlovy Vary. Since 2003 she has been a regular soloist with Prague’s National Theatre, performing roles like Zerlina and Donna Elvira in Don Giovanni, Kristina in The Makropulos Affair, the title role in The Cunning Little Vixen, Pamina in The Magic Flute, Mařenka in The Bartered Bride, Giannetta in The Elixir of Love, Terinka in The Jacobin, and Euridice in Orfeo ed Euridice. With the Prague State Opera she rendered the title role in Dvořák’s Rusalka. She has performed in prestigious venues abroad such as L’Opéra Bastille in Paris and England’s Glyndebourne Festival. She also sings concert repertoire, in which she has already appeared for example in Vienna and Krakow. She collaborates with numerous outstanding conductors including Jiří Bělohlávek, Iván Fischer, Oliver Dohnányi, and Ondrej Lenárd.

Veronika Hajnová

Mezzo-soprano Veronika Hajnová graduated from the Conservatoire and the College of Performing Arts in Bratislava before continuing her education in several master classes. In 2002 she won the CNIPAL prize in the Belvedere International Singing Competition in Vienna, and twice she has been nominated for a Thalia Prize. While still a student she performed in the opera company of the Josef Kajetán Tyl Theatre in Plzeň, and in 2004 she became a regular soloist with the Prague State Opera. Presently she is a member of the corps of soloists of Prague’s National Theatre as well as of the National Theatre in Brno. Among her major roles to date have been Amneris in Aida, Azucena in Il trovatore, Ježibaba in Rusalka, and Carmen. As Amneris and Carmen she has also appeared in several tours abroad, including performances in Japan, Spain, Portugal, France, and Hungary. She performs songs and solo roles in large choral works as well, counting among her greatest triumphs the part of Zefka in Janáček’s The Diary of One Who Vanished  at L’Opéra Bastille in Paris, and participation in Verdi’s Requiem  in Marseille’s Opera Municipale.

Veronika Hajnová - mezzo-soprano

Jaroslav Březina

One of the most sought-after Czech tenors of the present time, regular soloist with Prague’s National Theatre Jaroslav Březina is a graduate of the Prague Conservatoire and studied privately with the legendary Václav Zítek. He performs in both operas and concerts. On Czech and foreign operatic stages he has created an overwhelming number of roles, of which we may mention among the most important only Don Ottavio in Don Giovanni, Tito in La clemenza di Tito, Tamino in The Magic Flute, Count Almaviva in The Barber of Seville, El Dancaïro in Carmen, Alfredo in La traviata, both Vašek and Jeník in The Bartered Bride, Michálek in The Devil’s Wall, Jiří in The Jacobin, Jirka in The Devil and Kate, Laca in Jenůfa, and Nemorino in The Elixir of Love. Of his concert repertoire let us name at least Janáček’s The Diary of One Who Vanished, which he has performed for instance in Madrid’s Teatro Real. He has numerous internationally-acclaimed recordings to his credit, such as Zelenka’s coronation opera Sub olea pacis et palma virtutis which won a prestigious prize in Cannes Classical Awards for 2002. He holds a Thalia Prize for 2015.

Jaroslav Březina - tenor

Jiří Sulženko

Bass Jiří Sulženko has long been one of the most esteemed Czech performers in both operatic and concert repertoire. Although he began his career as a contrabass player, later he studied voice, which was his secondary field upon graduation from the Prague Conservatoire. After brief engagements in Olomouc and Brno, in 1990 he became a regular soloist with the National Opera in Prague where he has performed numerous roles including Leporello in Don Giovanni, Kecal in The Bartered Bride, the Water Goblin in Rusalka, Zaccaria in Nabucco, Scarpia in Tosca, and Bartolo in The Barber of Seville. In many of these roles and others he has appeared on important operatic stages abroad—in Sweden, France, Spain, Holland, Austria, Germany, and Japan. In 2010 he debuted in Milan’s La Scala in Janáček’s From the House of the Dead. He also engages intensively in concert singing, having appeared in important venues in various countries of Europe, the United States, Japan, Brazil, and Australia. Since the 2013-14 season he has been a regular soloist with the Janáček Opera of the National Theatre in Brno.

Jitka Čechová

Jitka Čechová ranks among the most successful Czech pianists of the present time. After studies at the Prague Conservatoire she continued her musical education at Prague’s Academy of Performing Arts as well as in post-graduate studies with Eugen Indjic in Paris and Vitali Berzon in Freiburg. She has won honours in numerous international competitions including the Chopin Competition in Mariánské Lázně. She performs in important concert halls in Germany, Austria, Scotland, France, Spain, Bulgaria, Italy, and elsewhere, and collaborates with many outstanding orchestras including the Munich Symphony, the Prague Philharmonia, and the Bamberg Symphony. A devoted promoter of music by Czech composers, she has made a highly-praised complete recording of the piano music of Bedřich Smetana for Supraphon. Zdeněk Lukáš dedicated to her his Third Piano Concerto, which she premiered to great acclaim on a tour of Germany. Another major part of her work is performance in chamber music: for many years she has served as pianist in the Smetana Trio, one of the most successful chamber ensembles in Czechia.

The Žerotín Academic Chorus

The Žerotín Academic Chorus was founded in 1880 in Olomouc. From the very outset it formed one of the chief pillars of Czech cultural life in Moravia, presenting concerts, giving operatic presentations, and working with some of the foremost Czech artists of the time such as Josef Bohuslav Foerster and Ema Destinnová. Most important, however, were probably its contacts with Antonín Dvořák, who entrusted Žerotín with the Czech premieres of his Requiem and Te Deum, dedicated his oratorio Saint Ludmila to the ensemble, and on several occasions conducted the choir in person. Presently the chorus has about thirty-five members, but additional singers are enlisted as needed. Choirmaster is Pavel Koňárek. The repertoire is very broad, encompassing works by masters of the Baroque such as Bach, the Classical period (Mozart, Salieri, and Beethoven), Romanticism (Rossini and Dvořák), and the twentieth century (Janáček, Stravinsky, and Gershwin). The choir concertizes regularly both in Czechia and abroad.

The Žerotín Academic Chorus

Vox Iuvenalis

The Vox Iuvenalis choir of Brno, which will celebrate its twenty-fifth anniversary next year, was founded by conductor Jan Ocetek who still remains its director. Consisting mainly of students and graduates of colleges in Brno, the ensemble has earned a prestigious position as a high-quality young chorus, confirmed by numerous awards in international competitions and participation in diverse musical projects both at home and abroad. The choir won first prize in the International Sacred Music Choir Competition in Vilnius and the highest honours in the International Youth Choir Festival in Veldhoven, The Netherlands. It also performs in operas and experimental musical presentations. Since 2000 it has been operating under the aegis of the Brno University of Technology.

Kroměříž Nadsklepí

Kroměříž, one of the most beautiful historical cities of Czechia, is known not only for its architecture and spiritual symbolism, but for its support of art and especially music. An important centre of artistic happenings in Kroměříž in the nineteenth century was the villa of the Kozánek family, whose numerous guests included Antonín Dvořák—a long-time friend of Emil Kozánek, an enthusiastic organizer of local musical events. Thanks to their close relationship Kroměříž became an important venue for performances of Dvořák’s works already during his lifetime. The highlights of those artistic contacts were Dvořák’s visit to Kroměříž in April 1886, when with great success he conducted two performances of his Stabat Mater, two concerts in the spring of 1891 when his monumental oratorio St. Ludmila sounded there under his baton, and a double performance of his Requiem a year later, again directed by the composer. Proof of his warm feelings towards Kroměříž and its ‘Moravan’ music society is a letter where he recalled ‘that exalted moment when I stood there before you and wept! I’ll never forget it as long as I live! It was all so cordial and sincere and came from the hearts of sincere people! When I stood before thousands of people in London amidst tremendous rejoicing and thunderous applause, paying the greatest homage to me, believe me, I was never so moved!’